Städelschule, Staatliche Hochschule für Bildende Künste, Frankfurt am Main, DE

MFA Elam School of Fine Arts, University of Auckland, NZ

BFA Elam School of Fine Arts, University of Auckland, NZ

Adjacency, Galerie Nagel Draxler Kabinett, Berlin, DE
Hysterical Strength, GAMeC, Bergamo, IT

_Human, Kunsthalle Basel, Basel, CH
Luke Willis Thompson, Adam Art Gallery, Wellington, NZ

autoportrait, Hopkinson Mossman, Auckland, NZ
autoportrait, Chisenhale Gallery, London, UK

Cemetery of Uniforms and Liveries, Galerie Nagel Draxler, Berlin, De
Misadventure, Institute of Modern Art (IMA), Brisbane, AU
Sucu Mate/Born Dead, Hopkinson Mossman, Auckland, NZ

Sucu Mate, Galerie Nagel Draxler, Cologne, DE

Walters Prize Exhibition, Auckland Art Gallery, Auckland, NZ

inthisholeonthisislandwhereiam, Hopkinson Cundy, Auckland, NZ

Elam Graduate Show: MFA Program, Elam School of Fine Arts, Auckland, NZ

The Mouth is for Speaking, WE ARE AIA, Zurich, CH

Turner Prize, Tate Britain, Uk
Deutsche Börse Photography Foundation Prize 2018, MMK 3, Frankfurt am Main, DE
We don’t need another hero, 10th Berlin Biennale, DE

Field Guide, Remai Modern, Saskatoon, CA
Shout, Whisper, Wail: The Chartwell Show, Auckland Art Gallery Toi o Tamaki, Auckland, NZ

Sao Paulo Bienial, Sao Paulo, BR
La Bienniale de Montreal, Montreal, CA
Sucu Mate/Born Dead, Hopkinson Mossman, Auckland, NZ

Asia Pacific Triennial, Queensland Art Museum, Queensland, AU
Parked like Serious Oysters, Museum fur Modern Kunst, Frankfurt am Main, DE
Surround Audience, New Museum Triennial, New York, USA

Foreign Exchange – or the stories you wouldn’t tell a stranger, Weltkulturen Museum, Frankfurt am Main, DE
Pequod, Hopkinson Mossman, Auckland, NZ

On this day alone, Gertrude Contemporary, Melbourne, AU
If you were to live here…, Auckland Triennial, Auckland Art Gallery, Auckland, NZ

Between memory and trace, Te Tuhi Centre for the Arts, Pakuranga, NZ
In Spite of Ourselves: Approaching Documentary, St Paul St Gallery, AUT, Auckland, NZ

Make\Shift: Tautai’s third tertiary show, St Paul St Gallery, Auckland, NZ
Memory to the marrow, Projectspace B4321, Auckland, NZ

When we read, we really read, George Fraser Gallery, Auckland, NZ

Deadline Authentico!, George Fraser Gallery, Auckland, NZ

Turner Prize nomination
Deutsche Börse photography prize winner

Chisenhale gallery Create residency, London, UK

Walters Prize winner
Sa Sa Bassac Cambodia Exchange project, KH

Weltkulturen Museum, Frankfurt am Main, DE

Tate Collection, UK
Collection Jan Warburton, Dunedin, NZ
Private Collections

Tina Campt, 'Adjacency: Luke Willis Thompson’s Poethics of Care', Flash Art, 8 October 2019
En Liang Khong, 'The Moral Clarity of The Turner Prize 2018', Frieze, 27 September 2018
Adrian Searle, 'Turner prize 2018 review – no painting or sculpture, but the best lineup for years', The Guardian, 24 September 2018
Tavia Nyong'o, 'One Take: Luke Willis Thompson _Human', Frieze, 20 September 2018
Dan Fox, 'Yes the Turner Prize 2018 is Political, and We Shouldn’t be Surprised', Frieze, 27 April 2018
Tobi Haslett and Luke Willis Thompson, 'About Face', Mousse, Issue #57, February 2017
Hettie Judah, 'Diamond Reynolds: the woman who streamed a police shooting becomes a Renaissance Madonna', The Guardian, 26 June 2017
K. Emma Ng, 'Hey, You There! Tactics of Refusal in the Work of Luke Willis Thompson', Pantograph Punch, August 2017
Sophie Von Olfers & Luke Willis Thompson, 'Out of the Gallery', Mousse, Issue #41, December 2013
Hamish Win, 'Immaterial Transformations', Un Magazine, Issue 6.2, December 2012
S/F newspaper project, Auckland